Calendar

Happy Birthday Mr. Cage!

Thursday, September 16, 2010 from 7:30pm | Austin TX

Ticket Information

Purchase Ticket(s)

Ticket Type Quantity Price
General Admission $10.00

Your Billing Information

Please acknowledge that you have read the terms and details of the registration.

TERMS AND CONDITIONS

Will Call
Tickets purchased online will be available at will-call one hour prior to event time. Austin Chamber Music Center does not mail physical tickets. As a ticket holder, your name has been added to the list of concert attendants. When you arrive at the concert, please give your last name and present either your printed receipt or I.D. to the manager or usher at the door to gain entry to the concert hall. The name on our list must match the name on your receipt or I.D.

Late Seating/Re-Seating policies
Please ARRIVE EARLY. Guests arriving late will be seated by Austin Chamber Music Center staff member or volunteer usher in accordance with the policy MANDATED BY the touring production, artist, or resident company. Each touring company/artist performing at the Austin Chamber Music Center sets its own late seating policy for both guests arriving late and those who step out of the hall during a performance. To avoid problems with a late seating policy, arrive early so you may attend to your comfort needs and be in your seat before curtain time.

Everyone entering the audience chamber must have a ticket.

Shows, dates, venue, programming, and artists are subject to change without notice. License granted herein may be revoked by refund of established price.

Management reserves the right to refuse admission or eject any person whose conduct is deemed by management to be disorderly or who fails to comply with the terms or conditions herein.

***NO REFUNDS OR EXCHANGES***

Cameras & Recording Devices
Due to copyright laws and in consideration of the performers, the use of photographic or recording devices of any kind inside the theatre is strictly prohibited.

Event Details

Cage

line upon line percussion, Rosalyn Nansky (dancer), and Michelle Schumann (toy pianist) perform works by John Cage.

Thursday, September 16, 7:30pm at First Unitarian Church, Tickets: $10

Program Notes

JOHN CAGE
(1912-1992)

In this year’s installment, Schumann and Co. will present works from each of Cage’s most productive decades. From the 40’s: Credo in Us for percussion and piano, and the Suite for Toy Piano; from the 50’s, Cage’s iconic ‘silence’ piece 4’33”; the 60’s is represented in Cartridge Music for one to forty performers using up to twenty record players, instruments or objects amplified by means of cartridges or contact microphones, or for two or more performers using amplified piano or amplified cymbal. The 70’s and 80’s show Cage using nature’s instruments: Inlets for three performers each using four amplified, water-filled conch shells [3 very large, 3 medium large, 3 medium size, 3 small]), a performer using a blown conch shell, and the sound of pine cones burning; and But what about the noise of crumpling paper… for three to ten percussionists each using at least two only slightly resonant instruments, also involving water, paper, etc. The 90’s demonstrates Cage in his obsessive use of number pieces: Three2 for three percussionists each using any three instruments.

Program

Three2 (1991)

Suite for Toy Piano: I. (1948) superimposed with excerpts from 
“Art is Either a Complaint or Do Something Else” (1988) for speaker

But what about the noise of crumpling paper…(1985)

Suite for Toy Piano: II. (1948)
 superimposed with excerpts from “Art is Either a Complaint or Do Something Else”(1988) for speaker

Inlets (1977)

Suite for Toy Piano: III. (1948) superimposed with excerpts from 
“Art is Either a Complaint or Do Something Else”(1988) for speaker

Cartridge Music (1960)

Suite for Toy Piano: IV. (1948) superimposed with excerpts from “Art is Either a Complaint or Do Something Else”(1988) for speaker

4’33” (1952)

Suite for Toy Piano: V. (1948)
 superimposed with excerpts from 
“Art is Either a Complaint or Do Something Else”(1988) for speaker

Credo in Us (1942)

line upon line percussion
Adam BedellCullen FaulkMatthew Teodori
Rosalyn Nansky, dancerMichelle Schumann, piano (toy and otherwise)

design © 2013 lucid crew